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Nick of Time

Movie Scripts by Martina

Transcript written by and used with the courtesey of Angela Sugden

 

Conductor
Los Angeles is next. Los Angeles is next. Please. . .

 

Announcer
Can I have your attention please. Amtrak train number seven-seventy-one. Amtrak train number seven-seventy-one is now arriving at track number nine, from San Diego, Solano Beach, San Clemente, San Juan Capistrano, Irvine, Santa Ana, Anaheim, Fullerton and Commerce. Now arriving at track number nine, the San Diegan.

 

Smith
Keep your eyes peeled. Sharp.

 

Rollerblader
Okay, okay. . .

 

Woman
Porter! Porter!

 

Announcer
May I have your attention in the station, please. Paging Ms Joan Beary, please report to Amtrak station services. Ms Joan Beary. . .

 

Security Guard
Hey, what the hell are you doing? Get your ass. . .You know you can’t skate in here. Hey, this is George. Where you at? I ain’t gonna tell you. . . Get your ass outta here, boy. What the hell you doing in here anyhow?

 

Woman
Come on, you’re leaving your bags.

 

Jones
That one. Right there.

 

Smith
Nah. Hates his wife.

 

Rollerblader
Damn!

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Dead Man

Movie Scripts by Martina

Transcript written by and used with the courtesey of Angela Sugden

 

Fireman
Look out the window. And doesn’t this remind you of when you were in the boat? And then later that night, you were lying looking up at the ceiling, and the water in your head, was not dissimilar from the landscape, and you think to yourself, ‘Why is it that the landscape is moving, but the boat is still?’ And also, where is it that you’re from?

 

Blake
Cleveland.

 

Fireman
Cleveland.

 

Blake
Lake Erie.

 

Fireman
Erie. Do you have any parents back in Erie?

 

Blake
They passed on recently.

 

Fireman
And, er. . . do you have a wife. . .In Erie?

 

Blake
No.

 

Fireman
A fiancée?

 

Blake
Well, I, I had one of those, but. . . she changed her mind.

 

Fireman
She found herself somebody else.

 

Blake
No.

 

Fireman
Yes, she did. Well, that doesn’t explain why you’ve come all the way out here, all the way out here to hell.

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Don Juan DeMarco

Movie Scripts by Martina

Transcript written by and used with the courtesey of Angela Sugden

 

Don Juan (voice)
My name is Don Juan De Marco. I am the son of the great swordsman, Antonio Garibaldi De Marco. Who was tragically killed defending the honour of my
mother, the beautiful, Dona Inez Santiago de San Martine. I am the world’s greatest lover. I have made love to over a thousand women.I was
twenty-one last Tuesday.

 

Doorman
Good evening, sir.

 

Don Juan
Good evening, Nicholas.

 

Don Juan (voice)
No woman has ever left my arms unsatisfied. Only one has rejected me. And as fortune would have it, she is the only one who has ever mattered.
This is why, at twenty-one, I had determined to end my life. But first… one final conquest.

 

Don Juan
May I?

 

Woman
Um, well actually… I’m expecting a friend, er, he’s been delayed, but he should be here soon.

 

Don Juan
Well, I will not linger. I am Don Juan.

 

Woman
That’s very funny. Is there a costume party at the hotel?

 

Don Juan
No. I am Don Juan. Directly descended from the noblest Spanish family.

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What’s eating Gilbert Grape

Movie Scripts by Martina

Transcript written by and used with the courtesey of Angela Sugden

 

Arnie
Two, three, five, nine, ten, eleven, twelve, thirteen, nineteen, seventeen.

 

Gilbert
Arnie.

 

Arnie
Fifteen, seventeen.

 

Gilbert
Arnie, eat some chicken.

 

Arnie
I don’t, I don’t want any chicken, Gilbert.

 

Gilbert
You want some corn?

 

Arnie
I w. . . I want some corn.

 

Gilbert
Have some corn. Here.

 

Arnie
Huh.

 

Gilbert
Good?

 

Arnie
Mm-mm. Not good corn. Gilbert?

 

Gilbert
Hmm.

 

Arnie
Are they gonna come soon? ‘Cos I gotta go back home, you know.

 

Gilbert
Pretty soon.

 

Arnie
I want them to come.

 

Gilbert
Wanna go home?

 

Arnie
No. I wanna see ’em.

 

Gilbert
Okay.

 

Arnie
They’re gonna come soon, huh? How many more miles till they come,

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Benny and Joon

Movie Scripts by Martina

Transcript written by and used with the courtesey of Angela Sugden

 

Randy
So we’re planning our next vacation, right. I want Australia, she wants Italy. I like, snorkeling. She likes garlic. All of a sudden, out of nowhere, she says to me, do I need her? Jesus Benny, what kind of a question is that? I mean need, what does it really mean to need somebody?

 

Eric
Benny, fuel line.

 

Benny
Hey, Waldo, could you answer that phone?

 

Waldo
Yeah, hello?

 

Postman
I need a cheque, Benny, C.O.D.

 

Benny
In a minute, meet me in the office.

 

Postman
All right.

 

Benny
Whoa, put that out, put that out, put that out. I got a fuel line broke.

 

Waldo
Hey, Benny, Joon’s on the phone again.

 

Benny
Well tell her I’ll call her back. Find out what she wants.

 

Waldo
It’s an emergency. She says you’re running low on peanut butter super chunks.

 

Benny
An emergency. . . All right, the issue is jelly, you only like two kinds.

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Edward Scissorhands

Movie Scripts by Martina

script used with courtesey of Sci-Fi Scripts

Edward Sissorhands

OLD KIM
Snuggle in, sweetie. It’s cold out there.

GRANDDAUGHTER
Why is it snowing, grandma? Where does it come
from?

OLD KIM
Oh, that’s a long story, sweetheart.

GRANDDAUGHTER
I want to hear.

OLD KIM
Oh, not tonight. Go to sleep.

GRANDDAUGHTER
I’m not sleepy. Tell me, please.

OLD KIM

Well, all right. Let’s see. I guess it would
have to start with scissors.

GRANDDAUGHTER
Scissors?

OLD KIM

Well, there are all kinds of scissors. And once
there was even a man who had scissors for
hands.

GRANDDAUGHTER
A man?

OLD KIM
Yes.

GRANDDAUGHTER
Hands, scissors?

OLD KIM
No, scissorhands. You know the mansion on top
of the mountain?

GRANDDAUGHTER
It’s haunted.

OLD KIM
Well, a long time ago, an inventor lived in
that mansion. He made many things, I suppose.
He also created a man. He gave him inside, a
heart, a brain, everything. Well, almost

everything. You see, the inventor was very old.
He died before he got to finish the man he
invented. So the man was left by himself,
incomplete and all alone.

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Cry Baby

Movie Scripts by Martina

Transcript written by and used with the courtesey of Angela Sugden

Mr Malnorowski
Get your cigarettes. Penny a piece. Six for a nickel.

 

Mrs Malnorowski
You owe me from yesterday, young man.

 

Student
Please, look, I’ll pay you tomorrow.

 

Mrs Malnorowski
Wouldn’t you like to have one?

 

Student
Oh, come on, just a drag. Just a drag!

 

Mrs Malnorowski
No cash, no tobacco. Go on, scram. Hey, Mona! Get over here and help your poor mother.

 

Mrs Woodward
Hi, kids. Remember, always look both ways before crossing.

 

Wanda
Mother!

 

Mrs Woodward
We’re having your favourite supper tonight, Wanda. Potatoes au gratin. Now walk. Look left, look right.
That’s right, then walk. Good teenagers.

 

Milton
Are you gonna work this summer?

 

Mr Woodward
Wanda, honey. You want a ride home with Dad?

 

Wanda
I got a lift. Thanks, anyway.

 

Mr Woodward
We could count out-of-state licence plates. I saw one this morning all the way up from Virginia.

 

Wanda
Dad,

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Sleepy Hollow Shooting Script

Movie Scripts by Martina

used with courtesey of Daily Script

 

Sleepy Hollow

 

Being the true storie of one Ichabod Crane
and the Headless Horseman

 

Kevin Yagher and Andrew Kevin Walker

 

Based on “The Legend of Sleepy Hollow” by Washington Irving

 

Screenplay by Andrew Kevin Walker

 

Sleepy Hollow

 

Being the true storie of one Ichabod Crane
and the Headless Horseman

 

Kevin Yagher and Andrew Kevin Walker

 

Based on “The Legend of Sleepy Hollow” by Washington Irving

 

Screenplay by Andrew Kevin Walker

 

and

 

Tom Stoppard

 

Shooting Draft
9/29/98

 

A pleasing land of drowsy head it was,
of dreams that wave before the half shut eye…

 

NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS

AND SOME “OMITTED” SLUGS. THEY HAVE BEEN REMOVED FOR THIS
SOFT COPY.

 

EXT. CITY STREETS-NIGHT

 

Empty cobblestone streets are bordered by stately buildings. A rapidly
CLANGING BELL breaks the silence from afar.

 

INSERT TITLE: New York City
1799

 

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Release Dates

Alice in Wonderland by Martina

Bahrain 3 March 2010
Egypt 3 March 2010
Italy 3 March 2010
Sweden 3 March 2010
Argentina 4 March 2010
Australia 4 March 2010
Austria 4 March 2010
Czech Republic 4 March 2010
Georgia 4 March 2010
Germany 4 March 2010
Greece 4 March 2010
Hong Kong 4 March 2010
Hungary 4 March 2010
Indonesia 4 March 2010
Kazakhstan 4 March 2010
Kuwait 4 March 2010
Lebanon 4 March 2010
New Zealand 4 March 2010
Peru 4 March 2010
Portugal 4 March 2010
Russia 4 March 2010
Serbia and Montenegro 4 March 2010
Singapore 4 March 2010
South Korea 4 March 2010
Switzerland 4 March 2010
(German speaking region) Syria 4 March 2010
Bulgaria 5 March 2010
Canada 5 March 2010
Colombia 5 March 2010
Denmark 5 March 2010
Estonia 5 March 2010
Lithuania 5 March 2010
Mexico 5 March 2010
Netherlands 5 March 2010
Norway 5 March 2010
Panama 5 March 2010
Poland 5 March 2010
Romania 5 March 2010
Taiwan 5 March 2010
Turkey 5 March 2010
UK 5 March 2010
USA 5 March 2010
Belgium 10 March 2010
Finland 12 March 2010
India 12 March 2010
Switzerland 17 March 2010
(French speaking region) Israel 18 March 2010
France 24 March 2010
China 26 March 2010
Spain 16 April 2010
Japan 17 April 2010
Brazil 23 April 2010


read full article

Sleepy Hollow

Movie Scripts by Martina

script used with courtesey of Daily Script

Sleepy Hollow

Being the true storie of one Ichabod Crane
and the Headless Horseman

Kevin Yagher and Andrew Kevin Walker

Based on “The Legend of Sleepy Hollow” by Washington Irving

Screenplay by Andrew Kevin Walker

Third Draft
4/10/95

A pleasing land of drowsy head it was,
of dreams that wave before the half shut eye…

EXT. GNARLED FOREST-NIGHT

An UGLY MAN charges through on a horse, holding a lantern
forward on a long pole. He looks back, terrified.

INSERT TITLE: 1799 Sleepy Hollow, New York

THUNDEROUS HOOFBEATS are HEARD behind.

The ugly man glances back again. His lantern swings wild…
SHATTERS against a tree. The jammed-up pole SLAMS the ugly
man off his horse…

He hits the ground. He runs, trips, falls and scrambles up.

DEEP IN THE FOREST, we glimpse the source of the HOOFBEATS: a
HUGE FORM on a HUGE BLACK HORSE, already gone.

The ugly man pushes through thorny bushes. Jagged branches
slit his hands and cheeks.

He bursts from the briar patch and tumbles to a trail. He
lifts his bloodied face. He runs.

IN THE FOREST BEHIND: the hooves of the black horse rip
underbrush. HOOFBEATS DEAFENING. A spur digs into the
snorting steed’s already bleeding flank.

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