July 22, 2001, France
2001, July 22 – Festival d’Istres, France
PEOPLE, May 14, 2001 – Johnny depp
Title: Johnny depp
Publication: PEOPLE
Issue: May 14, 2001
ACTOR Onetime teen idol Johnny Depp has gone out of his way to lose the dreamboat label. He keeps his hair long and lank, wears ratty clothes and has made his body what he calls a “journal of skin” by acquiring multiple tattoos—including one that says “Wino Forever,” amended after his 1993 breakup with fiancee Winona Ryder. “I jot down life experiences that mean something to me— jot them down permanently.” Depp. 37. told The New York Times last month. The tattoos “just add to his whole gypsy mystique.” says Ted Demme, director of Depp’s latest film, Blow. “He looks like he’s on the outside, like he’s doing what he wants.”
Demme’s right on both counts. The Kentucky-born actor has been snubbing Hollywood since his 1998 move to France, where he shares a Paris apartment and a farmhouse near Saint-Tropez with actress-singer Vanessa Paradis, 28, and their daughter Lily-Rose, who turns 2 this month. Depp doesn’t work the red carpet on award nights, nor does he routinely hype his films on the talk show circuit. Yet the parts—and the plaudits—keep coming.
In the past year Depp has played two bohernian roles, in the historical drama The Man Who Cried and in the Oscar-nominated fable Chocolat. That film’s director, Lasse Hallstrom, says the part of Roux, the Irish wanderer who woos Juliette Binoche’s Vianne, was “a perfect fit”
Not just another pretty face
Johnny Depp was supposed to be another TV idol. But the beautifully underplayed roles — like the voracious dealer in “Blow” — are adding up to a career – By Stephanie Zacharek.
April 19, 2001 | Johnny Depp, so often described as androgynously beautiful, is really more like a male cat, a creature so sure of himself that his more masculine traits aren’t the first things you notice about him. You can see it in the way he underplays every role. Sometimes you look at him and you think he’s not doing much at all; then you realize that what he’s doing is so economical and so understated that you can’t afford to take your eyes off him for an instant. He wastes no line, expression or arc of movement. Like those ancient inky creatures painted on Japanese scrolls with just two or three strokes, he’s both the suggestion and the essence of feline masculinity, all implied muscle and Zen intelligence.
It takes that kind of muted confidence to forge a career the way Depp has. In the late ’80s, after a few tiny film roles, he emerged seemingly out of nowhere to become a teenage heartthrob on the TV series “21 Jump Street,” the kind of taint that some actors, no matter how talented they are, never recover from. Forget the fact that TV actors are so often viewed (wrongly) as movie actors’ less significant second-cousins; when you’re as good-looking as Depp, it’s a given that you’re going to be written off as nothing more than a pretty face.
Blow
‘Festival d’Istres’, South of France
Valou (webmaster of the late ‘Tandem vp’ site) reported to Jean-Yves, webmaster of ‘Vanessa Paradis c’est l’enfer’:
She arrived at the concert at 6pm that day and went to the parking lot where cars arrive in the hope of seeing Vanessa… there were security guys so she thought it meants Vanessa was about to arrive. She was right: 5 minutes later, Vanessa got out of a grey Mercedes 4×4 with dark windows, with Lily-Rose asleep on her nape… Johnny and some guy named Philippe (Vanessa’s assistant?) follow…. They all enter the concert auditorium without looking at the fans… A few minutes later, Johnny and Philippe came back to the car to get their stuff (packs etc..). Valou asks if she can take a picture. Philippe replies ‘no’.
So, she leaves with other fans to the auditorium, buys the program (another fan buys a ticket) etc… and one of the staff guys tell them “oh look over there, Johnny is signing autographs!”…. they run to him. Philippe gives a kiss to Valou, the others take pictures and ask for autographs. Valou takes 2 close shots of Johnny. Then, she asks him to sign a small slide of Vanessa (by photographer Claude Gassian). Johnny looks very surprised, he doesn’t know how to sign so small but he does it. Valou takes another photo.
They were about 7 fans there. She was very excited to have finally seen Johnny in person!
INSIDE – INSIDE THE ACTORS STUDIO
[i]This encounter first appeared in Johnnydeppfan, and is now hosted here with permission of the webmistress./i]
I don’t usually post on message boards, but I read a few messages now and then, if they appear to be “information-based,” and after seeing John Bogdan’s impassioned account of the Johnny sighting and all the effort he put into the pursuit (after his run, was that FIVE miles?), I felt compelled to share my experience.
I was a guest at the taping. I read on Vicki’s web page a few weeks ago that J.D. would be on I.A.S. I work in a TV station-we operate on SCHEDULES-and I couldn’t find any indication, in any schedule anywhere, that Inside the Actors Studio even aired on 2/25, let alone with Depp as guest. Through one of our programming directories I found a phone number for Bravo and ended up speaking with the person who handles the press guests for the show. She says they don’t publish taping dates for fear of being inundated with “gate crashers” in the small auditorium. In fact, I learned, there are IAS season subscribers who pay to see all the tapings, so it isn’t exactly a secret! Anyway, she said, “Why don’t you come up?” (I live in Orlando.) Didn’t take me long to make plane and hotel reservations and I was on my way to NYC on Monday for a very un-characteristically spontaneous mini-adventure.
The 7pm taping was delayed about 45 minutes because of all the people who showed up.
Movie Idols, January 2001 – Johnny Depp
Title: Johnny Depp
Publication: : Movie Idols
Issue: January 2001
JOHNNY DEPP is an interesting man. As an actor he has that rare chameleonic quality that allows him to inhabit a role and convince you that what you see on screen isn’t a performance but a possession. Yet if you see or hear him being interviewed he can seem inarticulate, hesitant, something of a cipher. So you may conclude that he is one of those performers who, lacking a clearly defined character of their own is able to put on new characters like a suit of clothes. Then again, if you were to read any of the articles he has written about his influences and heroes, or pick out key quotes from printed interviews, he seems to be a deep thinker, a true eccentric, a strong and unique individual.
He is, in short, not an easy man to profile, a figure of apparent contradictions and paradoxes. Only one thing is certain – he is probably the finest actor of his generation. You can be assured that whatever film he is in it will be worth watching for him alone. Also, the fact that he has chosen to make it indicates that it has something in the script or the vision that will make it outstanding on one level or another. He doesn’t make popcorn trash, he is a genuine artist and his choices command respect.