Corpse Bride
Four-and-a-half stars. Handsomely crafted stop-motion fantasy a treat for all ages.
Tim Burton is our generation’s Brothers Grimm.
Both of them.
“Corpse Bride” is that rarest of cinematic creatures: a lovingly crafted, wholly original fairy tale guaranteed to become obligatory bedtime viewing for years to come. It resonates for all ages the way Chris Van Allsburg’s “The Polar Express” similarly touched our hearts; the difference is that “Corpse Bride” is not adapted from an existing book, but instead sprang, sepulchrally, from the wonderfully twisted imaginations of screenwriters John August, Caroline Thompson and Pamela Pettler – By Derrick Bang/Enterprise entertainment editor.
August knows the territory, having previously collaborated with Burton on “Big Fish” and “Charlie and the Chocolate Factory.” Thompson, too, is a familiar name in the Burton oeuvre, having written “The Nightmare Before Christmas” and “Edward Scissorhands.” Pettler is soon to be an equally recognized name; aside from her participation on “Corpse Bride,” she co-wrote the upcoming “Monster House” for Steven Spielberg and Robert Zemeckis, and is working with Burton on another animated film, “9,” described as a “post-apocalyptic fantasy.”
Copyright