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Movie Scripts by Martina

used with courtesey of Daily Script – Movie Scripts and Movie Screenplays in proper screen writing format.

 

ON BLACK:

 

“A MAN MUST LOOK AT HIS LIFE AND THINK LUXURY.”

 

FADE IN:

 

EXT. GUARJIRA, COLOMBIA – 1989 – DAY

 

A majestic panorama of the lush green slopes that are the
Columbian highlands. A faint chopping sound IS HEARD and
then another. WHOOSH. WHOOSH. The view changes and tiny
dots appear on the hillside vegetation. WHOOSH.

 

CLOSER

 

We realize the dots are people. Workers swinging long steel
machetes in slow methodical rhythm. WHOOSH. WHOOSH. WE SEE
the South American Indian MEN clearly now. Their tar stained
teeth. Their gaunt faces riddled with crow’s feet. Their
jaws chewing away on huge wads of coca leaves as they collect
the harvest.

 

EXT. DIRT ROAD – COLOMBIA – DAY

 

Old rickety trucks carrying the huge green tractor-sized
bales speed along the narrow road.

 

EXT. CLEARING – COLOMBIA – DAY

 

The bundles are undone and Columbian women separate out the
leaves. Tribes of underweight workers carry armload after
armload of the harvest and ritualistically dump them into a
gigantic cannibal pot which sits on top of a raging bonfire.

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Chocolat

Movie Scripts by Martina

Dialogue Transcript

Transcript written by and used with the courtesey of Angela Sugden

 

Woman 1
Bonjour, Monsieur.

 

Woman 2
Bonjour, Monsieur. Say bonjour.

 

Narrator
Once upon a time, there was a quiet little village in the French countryside, whose people believed in tranquilite. Tranquility.

 

Paris
hioners
Come Holy Ghost, Creator come, From Thy bright heavenly throne, Come take possession of our souls, And make them all Thine own, Far from us drive our…

 

Narrator
If you lived in this village, you understood what was expected of you.

 

Paris
hioners
…unto us bring, And through all…

 

Narrator
You knew your place in the scheme of things. And if you happened to forget, someone would help remind you.

 

Pere Henri
The season of Lent is upon us. This is of course, a time of abstinence. Hopefully, also a time of reflection. Above all, let this be for us a time… a time of sincere penitence. It is a time to stand up and be counted.

 

Narrator
In this village, if you saw something you weren’t supposed to see… you learned to look the other way.

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The Astronaut’s wife

Movie Scripts by Martina

Transcript written by and used with the courtesey of Angela Sugden

 

Jillian
I hate this part. We’re still here but I know you’re going, and I hate that.

 

Spencer
Well, I’ll call you, baby.

 

Jillian
Don’t tease me. I miss you so much when you’re gone.

 

Spencer
I miss you too, baby. Listen. Last time Streck told me if I bellyached about you for one more minute he was gonna toss my ass right off the ship.

 

Jillian
You tell Streck your ass belongs to me and he can keep his hands off it.

 

Spencer
All right.

 

Jillian
My class wants you to come by when you get back.

 

Spencer
I think I can arrange a visit, if you’re nice.

 

Jillian
How nice?

 

Spencer
You like fruit?

 

Jillian
Yeah.

 

Spencer
Well, come here a minute. Come here. Ain’t that a peach?

 

Jillian
Is that for me?

 

Spencer
That’s for you.

 

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The Brave

Movie Scripts by Martina

Transcript written by and used with the courtesey of Angela Sugden

 

Larry
…man, you know what?

 

Raphael
I’m here about the job.

 

Larry
And what job is that?

 

Raphael
Maybe I’m in the wrong place.

 

Larry
That depends.

 

Raphael
On what?

 

Larry
On whether or not you’re in the right place.

 

Raphael
Are, er, are you the guy I’m supposed to see?

 

Larry
Well, I don’t know. Who told you that?

 

Raphael
Some guy I met in a bar.

 

Larry
Who? Where? When?

 

Raphael
The other day.

 

Larry
You’re going to have to do better than that.

 

Raphael
He gave me this, and he, er, he said… He said that you were looking for somebody with a, er…special kinda talent. You mind if I smoke?

 

Larry
It’s your life. What guy, which bar?

 

Raphael
Freedos on sixth street.

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Donnie Brasco

Movie Scripts by Martina

script without owner found at Weekly Script, where they call the use of it fair use. If the owner of the script has anything against his script posted here, please contact me.

 

“DONNIE BRASCO”

 

by

 

Paul Attanasio

 

Based on the book, “Donnie Brasco”

 

by

 

Joseph D. Pistone with Richard Woodley

 

REVISED DRAFT

 

July 27, 1992

 

 

EXT. DAY. WASHINGTON, D.C.

 

An AERIAL VIEW of the nation’s capital, MOVING IN on the
stolid limestone box of FBI HEADQUARTERS. Supered below:

 

FBI HEADQUARTERS. WASHINGTON, D.C. 1981.

 

CUT TO:

 

INT. DAY. FBI HEADQUARTERS

 

A spacious corner OFFICE. American flag, FBI seal, and a
plush carpet — Federal blue.

 

CLENDON HOGUE, 40s, barrel chest, shrewd eyes over half-moon
glasses, PRESIDES behind a vast desk. The impressive mien of
earned authority. Before him:

 

JULES BONOVOLONTA, late 40s, Green Beret veteran, SUPERVISOR,
140 pounds of pugnacity and gristle. Ex-street agent cramped
by headquarters.

 

PAT MARSHALL, late 30s, a CASE AGENT,

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Nick of Time

Movie Scripts by Martina

Transcript written by and used with the courtesey of Angela Sugden

 

Conductor
Los Angeles is next. Los Angeles is next. Please. . .

 

Announcer
Can I have your attention please. Amtrak train number seven-seventy-one. Amtrak train number seven-seventy-one is now arriving at track number nine, from San Diego, Solano Beach, San Clemente, San Juan Capistrano, Irvine, Santa Ana, Anaheim, Fullerton and Commerce. Now arriving at track number nine, the San Diegan.

 

Smith
Keep your eyes peeled. Sharp.

 

Rollerblader
Okay, okay. . .

 

Woman
Porter! Porter!

 

Announcer
May I have your attention in the station, please. Paging Ms Joan Beary, please report to Amtrak station services. Ms Joan Beary. . .

 

Security Guard
Hey, what the hell are you doing? Get your ass. . .You know you can’t skate in here. Hey, this is George. Where you at? I ain’t gonna tell you. . . Get your ass outta here, boy. What the hell you doing in here anyhow?

 

Woman
Come on, you’re leaving your bags.

 

Jones
That one. Right there.

 

Smith
Nah. Hates his wife.

 

Rollerblader
Damn!

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Dead Man

Movie Scripts by Martina

Transcript written by and used with the courtesey of Angela Sugden

 

Fireman
Look out the window. And doesn’t this remind you of when you were in the boat? And then later that night, you were lying looking up at the ceiling, and the water in your head, was not dissimilar from the landscape, and you think to yourself, ‘Why is it that the landscape is moving, but the boat is still?’ And also, where is it that you’re from?

 

Blake
Cleveland.

 

Fireman
Cleveland.

 

Blake
Lake Erie.

 

Fireman
Erie. Do you have any parents back in Erie?

 

Blake
They passed on recently.

 

Fireman
And, er. . . do you have a wife. . .In Erie?

 

Blake
No.

 

Fireman
A fiancée?

 

Blake
Well, I, I had one of those, but. . . she changed her mind.

 

Fireman
She found herself somebody else.

 

Blake
No.

 

Fireman
Yes, she did. Well, that doesn’t explain why you’ve come all the way out here, all the way out here to hell.

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Don Juan DeMarco

Movie Scripts by Martina

Transcript written by and used with the courtesey of Angela Sugden

 

Don Juan (voice)
My name is Don Juan De Marco. I am the son of the great swordsman, Antonio Garibaldi De Marco. Who was tragically killed defending the honour of my
mother, the beautiful, Dona Inez Santiago de San Martine. I am the world’s greatest lover. I have made love to over a thousand women.I was
twenty-one last Tuesday.

 

Doorman
Good evening, sir.

 

Don Juan
Good evening, Nicholas.

 

Don Juan (voice)
No woman has ever left my arms unsatisfied. Only one has rejected me. And as fortune would have it, she is the only one who has ever mattered.
This is why, at twenty-one, I had determined to end my life. But first… one final conquest.

 

Don Juan
May I?

 

Woman
Um, well actually… I’m expecting a friend, er, he’s been delayed, but he should be here soon.

 

Don Juan
Well, I will not linger. I am Don Juan.

 

Woman
That’s very funny. Is there a costume party at the hotel?

 

Don Juan
No. I am Don Juan. Directly descended from the noblest Spanish family.

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What’s eating Gilbert Grape

Movie Scripts by Martina

Transcript written by and used with the courtesey of Angela Sugden

 

Arnie
Two, three, five, nine, ten, eleven, twelve, thirteen, nineteen, seventeen.

 

Gilbert
Arnie.

 

Arnie
Fifteen, seventeen.

 

Gilbert
Arnie, eat some chicken.

 

Arnie
I don’t, I don’t want any chicken, Gilbert.

 

Gilbert
You want some corn?

 

Arnie
I w. . . I want some corn.

 

Gilbert
Have some corn. Here.

 

Arnie
Huh.

 

Gilbert
Good?

 

Arnie
Mm-mm. Not good corn. Gilbert?

 

Gilbert
Hmm.

 

Arnie
Are they gonna come soon? ‘Cos I gotta go back home, you know.

 

Gilbert
Pretty soon.

 

Arnie
I want them to come.

 

Gilbert
Wanna go home?

 

Arnie
No. I wanna see ’em.

 

Gilbert
Okay.

 

Arnie
They’re gonna come soon, huh? How many more miles till they come,

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Benny and Joon

Movie Scripts by Martina

Transcript written by and used with the courtesey of Angela Sugden

 

Randy
So we’re planning our next vacation, right. I want Australia, she wants Italy. I like, snorkeling. She likes garlic. All of a sudden, out of nowhere, she says to me, do I need her? Jesus Benny, what kind of a question is that? I mean need, what does it really mean to need somebody?

 

Eric
Benny, fuel line.

 

Benny
Hey, Waldo, could you answer that phone?

 

Waldo
Yeah, hello?

 

Postman
I need a cheque, Benny, C.O.D.

 

Benny
In a minute, meet me in the office.

 

Postman
All right.

 

Benny
Whoa, put that out, put that out, put that out. I got a fuel line broke.

 

Waldo
Hey, Benny, Joon’s on the phone again.

 

Benny
Well tell her I’ll call her back. Find out what she wants.

 

Waldo
It’s an emergency. She says you’re running low on peanut butter super chunks.

 

Benny
An emergency. . . All right, the issue is jelly, you only like two kinds.

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