Johnny Depp Can’t See 3-D!
Johnny Depp won’t be watching the latest installment in the “Pirates of the Caribbean” franchise, at least not in 3-D.
The actor revealed to Access Hollywood’s Maria Menounos at the junket for “Pirates of the Caribbean: On Stranger Tides” that he ‘s unable to see the new Disney film in all of its 3-D glory.
To read more and watch the clips just click on the link here
New Pirates interviews with Jerry and Rob
Director Rob Marshall and Producer Jerry Bruckheimer talked with Screenslam about the latest installment in the PIRATES OF THE CARIBBEAN franchise, PIRATES OF THE CARIBBEAN: ON STRANGER TIDES.
Thanks to SHAWN CAUTHEN!
Exclusive Johnny Interview of 1988
Watch a nice little Interview of Johnny in Year 1988
httpv://www.youtube.com/watch?v=U4I_HoRkadU&feature=player_embedded
Entertainment Weekly March 05, 2010
‘Alice in Wonderland’: Hollywood’s Mad Hatter
Twenty years ago, a frustrated young TV star and a wild-haired filmmaker met at a hotel off the Sunset Strip, drank coffee, and talked. To an outside observer, Johnny Depp and Tim Burton would have seemed an unlikely pair: one, a reluctant teen idol; the other, a shy, rumpled director with a penchant for the macabre. But from that meeting sprang a creative partnership that has produced some of the most memorable oddball characters in recent movie history: An alienated teenage Frankenstein with scissors for hands. A cross-dressing Z-movie director. A demented candy maker. A murderous barber.
On a warm winter afternoon, Depp, 46, and Burton, 51 — the duo behind Edward Scissorhands, Ed Wood, Charlie and the Chocolate Factory, and Sweeney Todd, among others — sit on a balcony at another L.A. hotel, just days away from the March 5 opening of their seventh film together: an eye-popping new 3-D Alice in Wonderland. This PG-rated big-screen take on the Lewis Carroll classic stars Depp as the Mad Hatter alongside newcomer Mia Wasikowska as Alice, Helena Bonham Carter as the Red Queen, and Anne Hathaway as the White Queen. Between Depp’s whacked-out spin on the Hatter and Burton’s flair for imagery, Alice is poised to capitalize on the growing appetite for 3-D extravaganzas stoked by Avatar,
Alex Gibney interview from the edge
He was a tortured soul with an energy that was phenomenal. Hunter Thompson, formed and shaped by the most controversial generation that the United States ever had, was the man that helped to change writing and journalism as it is known today. He was known for his flamboyant writing style, Gonzo Journalism, which blurred the distinction between writer and subject. He was a visionary and an ?in your face? opinionated force to be dealt with. His imagery was too much for many who could not comprehend his perception on politics and life in general.
The independent film, ?Gonzo,? concentrates on Thompson as the unique individual he was. Oscar nominated and Academy Award winner, director Alex Gibney brings about a raw perspective on the inner thoughts of Hunter as only Gibney can. The project was brought to Alex nearly three years ago and the director expresses, ?I had no idea what I was in for. Hunter was somebody who didn?t play by the rules-he used biting humor to show people how politicians lie to us. So I thought it would be a good idea to go back and look at him as a writer.? When asked what he took away from the film he states, ?The most satisfying part of the journey was through the words of the man himself.? Alex is known for his brutal honesty in the films he directs. The movie ?Gonzo? is no exception, as the viewer is able to see the true Hunter in his life?s work and goals.
Interview with the ultimate outlaw Jonathan Shaw
When the names Tim Burton, Hunter Thompson, Marlon Brando, Keith Richards and Jonathan Shaw are spoken, Johnny Depp fans or “admirers” think of two things. Sure they all are unique individuals who live life by their own rules, much like Johnny, but they also hold something else. An eccentric benevolence that identifies them as the great innovators of this generation. As we learn more about them we not only see friends and confidants to Mr. Depp, but we learn life lessons and a deep meditation that can mold the way we view life and those we meet during our time here on this earth.
Jonathan Shaw. There are many words different people may use to describe him. What some may see as only a shallow, brash and impetuous incendiary; actually is a true philosophical, transcendent soul. With layers of insight waiting to be peeled away.
When I decided to approach Mr. Shaw for an interview, I was filled with apprehension. Once he agreed to the initial questions, I then developed a great anxiety over what to ask him just imagining the responses I would receive. Stepping out in faith, I sent him a basic group of inquiries with instructions to answer all, or only the ones that moved him to respond. What I expected to learn about this man from his answers was not at all what I brought away from the information before my eyes. I can truly say what had begun as intimidation,
Movies Online – 2006
Q. Why is this the character you can revisit over and over?
Depp: I just feel like I’m not done. I just feel like there are more things you could do. Because, I suppose, with a character like this, the parameters are a little broader, so there are more possibilities I think. And he’s a fun character to play. I was really not looking forward to saying goodbye to him.
Q. Any pirate adventures you still want to do, not touched on in Pirates 3 yet?
Depp: Time travel, why not? No, I don’t know. Ted (Elliott) and Terry (Rossio), the writers, and Gore (Verbinski), what they were able to do on the first one and then taking that to what they’ve done now with the second one and then going into the third, it’s pretty amazing. We’re getting close to just even stretching the boundaries a bit more.
Q. How much freedom do you have to improvise?
Depp: I think with everything you do, it’s always? You have the basic structure, you have your basic bones and a solid foundation. But with every one, you do your best to kind of explore it as much as possible while you’re shooting. It could be something that comes to you, like sometimes it just comes to me when I’m reading a script. A line will just come to me, and I’ll incorporate it into the thing and obviously run it by Ted and Terry and Gore and the other actors certainly.
IF Magazine – 7/10/2006
iF MAGAZINE: You make your comic pratfalls look easy and effortless but this isn’t easy and effortless. How do you get the timing so right and how hard do you have to work in making these falls look accidental and comic?
JOHNNY DEPP: Oh boy. That’s the key. How do you keep it fresh’ How do you keep it working’ For me, there’s a real fine art to the timing that I’m still working on because you go back and watch guys like Chaplin and Keaton or even in the dramatic roles, Lon Chaney. The timing, especially in those silent films is just astonishing. But also in today’s cinema, timing can be helped or hindered by editing. So I don’t know. I just sort of do my best.
iF: Speaking of timing, what did you think when you heard about Keith Richards falling out of the palm tree, and were you concerned that he might not be able to star in PIRATES OF THE CARIBBEAN: AT WORLD’S END?
DEPP: I thought that was bad timing. But it solidified my belief that he would be the perfect father for Captain Jack. Initially we were all super-worried ‘ ‘My God, what has he done” But being in touch with his people, his camp, I know that he’s doing fine and it was a momentary lapse and he’s back on the road soon and totally cool.
iF: You were at the launch of the new revamped Pirates of the Caribbean ride at Disneyland.
Pirate Director tired but happy
www.stuff.co.nz recently interviewed the director, Gore Verbinski, of Pirates of the Caribbean: Dead Man’s Chest Fame, about the second instalment of his pirates adventure trilogy. Here’s a short excerpt…
Does Johnny Depp stay in character on set?
GORE: He turns Captain Jack on and off like a switch. Johnny’s so close to that character that there’s more Johnny Depp in Captain Jack than in any other character he’s played. I think if you’d seen him doing Ed Wood for example, you’d have seen him stay in character a lot more on set, trying to find the character and keep it and distill it. But Captain Jack is really close to Johnny. I think his other performances he’s been running away from an archetype, from being a leading man, the sort of guy who gets the girl and there’s usually a shyness and an introverted quality to those performances. But Jack is a braggart, a liar, a thief and a conman and at ease with it to. So I think there have been these floodgates with Johnny holding all this stuff back for years and suddenly with Captain Jack, Whoosh! The line I always keyed into in thinking how to direct Jack was one from the first movie: ‘You’re the worst pirate I’ve ever heard of’ – ‘Yes, but at least you’ve heard of me’.