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April 2014

Interview Magazine US April 2014 by Iggy Pop

Articles by Martina

JOHNNY DEPP

March 4th, 2014, Bruce Weber March 4th, 2014, Bruce Weber March 4th, 2014, Bruce Weber 

By IGGY POP
Photography BRUCE WEBER
Interview Magazine
April 2014

Even more than the other superstars of his generation (the Pitts, the Clooneys, the Cruises), Johnny Depp has built a personal mythos as complex and compelling as his career. In a sense, he’s managed to position himself as the beatnik troubadour of American cinema. After his early roles, as the cute boyfriend in A Nightmare on Elm Street (1984) and the cute narc on the late-’80s cop show 21 Jump Street, Depp fought against his matinee-idol image. In his first headlining role, in John Waters’s cult greaser comedy Cry-Baby (1990), the actor sent up his own pinup status, playing a high school toughie with his tongue planted firmly in cheek. And, even as he became grist of young-Hollywood tabloid mill (dating the likes of actress Winona Ryder and model Kate Moss), there seemed to be another Depp hiding beyond the spotlight, an inquisitive artist who sought out his creative heroes, including Marlon Brando, the Beats, his good friend Hunter Thompson, and Thompson’s partner-in-crime, the artist Ralph Steadman (with whom Depp appears in this month’s For No Good Reason, a documentary about Steadman’s life and work).

With his star turn in Tim Burton’s eerie fantasy Edward Scissorhands (1990), Depp began putting together the menagerie of oddballs, outcasts, and misfits (Ed Wood [1994], Don Juan DeMarco [1995], Ichabod Crane in Sleepy Hollow [1999],

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