ust as a drug trip, the day was an upward motion from reality to a dream, with its rise and its flash when I met Johnny and remembering our meeting when I went to bed after a very special trip.

THE PRESS CONFERENCE: A bad beginning. For the beginning of the day, I’m not really lucky. The press conference is over-crowded and I couldn’t enter the room. Anyway, I didn’t have the right pass. The access is only authorized to the journalists with the pink pass and I had the white. But there was another way to watch the press conference. On the first floor of The Festival Palace, there was a place where you can sit on deck-chairs (as if you were on the beach) and follow the press conference live as it is broadcast on TV Festival ! ! ! A lot of people agree with me when I say that’s the best way to hear and record a press conference. You’re well installed and the sound is better for your recorder. That’s how I saw and recorded the Fear and Loathing press conference. Vicki will put some clips from the conference soon with this report.

THE MOVIE: Let the delirium enter your mind. SYNOPSIS – The gonzo journalist Raoul Duke is scheduled to write an article about a motorcycle race in Las Vegas. He travels there with his attorney, Dr Gonzo, driving a crimson convertible full of every sort of drug and pharmaceutical product. They begin a savage drug-fueled trip into the heart of the American Dream. REVIEW – The most interesting part of this movie is Gilliam’s choice to dedicate the entire movie to his characters, by the cinematography, the special effects and the editing, to make the audience live the trip of the individuals from inside. Sure, Gilliam uses too much moving animals for the hallucinations. But the choice of the frames, the deep focus, the colors, the filters, the design ? Las Vegas is absolutely fabulous ? the acting a little exaggerated from Johnny Depp and Benicio Del Toro but exactly right for their mad characters. The editing which follows the trip exactly, slow or fast depending of the characters’ mind, give the film wealth, which make the hallucinatory trip of the two individuals almost palpable. Terry Gilliam tells a story showing the trip at the good and bad moments, without any morality about drug-addiction in his filmmaking. People may regret his no-engagement against drugs, but it’s an artistic choice depending on his interpretation of the novel upon which the movie is based. The two characters don’t care about the consequences of their behaviour. They just enjoy their journey in Las Vegas, experiencing with drugs the limits of their bodies. That may be shocking for our 90’s eyes, but we have to remember the spirit of the 1971 Hunter Thompson novel. Gilliam’s filmmaking gives a light and humorous but finally realistic description of the perception of drugs in the early seventies. Finally, the only reproach we can address to Terry Gilliam is having lost his idea by giving a sort of morality in two sentences about the drug consequences at the end of the movie, granting to the American morality at the end of a great movie which was just a glance without any message on the story of two individuals.

THE PARTY: The apogee of the trip. In spite of my invitation, it was hard to enter the party. The guards made me wait about 20 minutes. The reason was Johnny Depp himself. He was inside with Kate Moss so the organizers didn’t want too many people around them. After this long wait during such an important moment in my life, I finally entered with friends. First we went to the bar to have some Champagne. Then I went to the area for dancing just to prove to my friends that I’m not there only to see JD but also to have fun. I was very surprised to see Johnny just one meter in front of me, seated at a table with Kate Moss. Arrrrgggghhhh! That’s not a dream : he is there. As I looked again, I saw him talking to someone I knew. So I went over to them, to say hello to my friend and of course to Johnny. Very politely, he talked to me and I answered him stupid stuffs like “Hi ? How are you ? Good Champagne ? Enjoy your party ?” I didn’t want to disturb them anymore. Johnny was touching Kate’s hands for a while and he didn’t seem to enjoy the party very much. So I went back to the dancing area. A few minutes later, he left to attend another party for “The Ninth Gate”. Around three o’clock, I decided to go to bed, my mind full of pictures of the coolest man I’ve ever met. Sure he said those things to me to be polite. He certainly must have said the same words to a lot of people during the party and ours was a 2-minutes meeting that he surely does not remember. Anyway, I was really happy to meet him. He IS really cool.


from johnnydeppfan


I met Johnny and Terry Gilliam on their press tour for Fear and Loathing. They did an interview at our radio station and I thought I would pass a picture along to you. Johnny was the nicest guest we have ever had at the station and Terry was constantly cracking jokes and laughing. Along with the souvenir picture, I salvaged one of Johnny’s cigarette butts and have it in a test tube. This is not something I normally do, but hey, you take what you can get.

I knew that there was a possibility that Johnny and Terry Gilliam would stop by the station that evening for the interview, but there was more of a possibility that they would call in or not come by at all. Knowing my luck, it would be the latter. Unfortunately I had spent the previous evening at a local “watering” hole and was suffering the next day from too much “water”. Clad in jeans and a shirt freshly crumpled from the floor, I stumbled into work unprepared for an actual face to face meeting with anyone out of the ordinary. One hour before we were off the air we got the news, from our “Italian connection,” that they were coming by after all. Nervousness set in. No amount of makeup or hair-styling could help me at this point. At least the dirty shirt had aired out.

Terry and Johnny arrived and I was sent to bring them into the studio. What the hell, all I usually get to do is pull music and make bad jokes, maybe put in an order for food. I am totally honest when I say that I am horrible at recognizing people. Also that I wasn’ t really sure what Johnny looked like, because, well…I’m stupid. So, I took the back door out of the studio and headed down the hall to the lobby. The offices were closed so there wasn’t anyone else in the building. I could see a group of people at the end of the hall where it was dark, and then there was a guy walking towards me, heading towards the men’s room. I said, “Hi” and rushed by him wondering what that “deer-in-the-headlights” look was on his face for. When I reached the lobby, I realized that everyone there was either old or female. The guy I passed in the hall and ignored was Johnny. Stupid, stupid, stupid. Why am I so stupid?

Johnny came in and introduced himself to everyone in the room and shook hands. I sat in the corner and tried not to drool, rock back and forth and laugh hysterically. During the whole interview, Johnny chain-smoked and I dreamt of days to come where I could sit in a damp basement and roll his cigarettes for him. Hour after hour, day by day. Anyway, after the interview, I was running commercials and Johnny was signing things and taking pictures. I had to get in one of these. So, I left one of the interns at the board and told him which buttons to punch. He looked scared to death. What’s more important, a picture with Johnny or a little dead air? I leaped like a gazelle to the other side of the room and was making my move to stand next to Johnny in the pic and somehow I got caught in a Jedi-body-switch manuver and ended up a person away. Aaack. Oh well. On their way out, Johnny shook my hand and remembered my name. I thought that was very cool. In an equally un-cool move, I grabbed the ashtray and kept a cigarette butt for myself. It is now hanging in a test tube from my ceiling, right next to Mike D’s plastic cup with protein drink residue. On a completely different note, Johnny and Kate broke up the next week. Maybe my impression wasn’t so bad…

Bop, May 1998 – Why did Johnny Depp Say That?

Title: Why did Johnny Depp Say That?

Publication: Bop

Issue: May 1998

Photo1There’s not doubt about it: Johnny Depp is a man of few words. You might say that to this 21 Jump Street actor, talk is cheap—he’s an action -oriented sort of guy!

But when 25-year-old Johnny does choose to speak up, he says a great deal—with so few words! In fact, one simple sentence from Johnny uncovers a whole world of meaning. Here’s some classic examples:



That brief remark is a typical “Johnny-ism,” clearly revealing that this 5’10” tall performer has never, does not, and never will view himself as a “star.” Actually, the whole concept of being a celebrity is a bit odd to him!

Johnny doesn’t feel that his appearances in movies and television merit any special treatment from anyone. The fact that he’s talented, and quite adorable to boot, does not figure into his self-image. All these qualities, insists this Owensboro, Kentucky-born boy, are “no big deal.”


After several hardworking years of trying to make it big as a rock and roll guitarist, Johnny found his sudden break into acting unexpected, to say the least!

On the set of his first film, 1984’s Nightmare On Elm Street, a guitar less Johnny seemed like a wide-eyed, confused child. On the first day of shooting, he was still getting over having left his band-mates only a couple of days earlier.

“Action,” is the word a movie director calls when he wants a scene to begin. The question above was posed by this naive Johnny to the director of Elm Street, Wes Craven!

“I was scared and lost” confesses Johnny.



If love is blind, then that would provide the perfect explanation for Johnny’s first marriage back in 1983. The marriage, which ended in divorce less than three years later, gave him his first, tough lesson in love.

Following his divorce, Johnny kept company with actress Sherilyn Fenn. Alerted to the dangers of becoming too close too fast, he didn’t allow the relation­ship to become too serious.

Today, with a more mature understanding of the true meaning of commitment, Johnny has become engaged to marry Dirty Dancing actress Jennifer Grey. Johnny confides that he has finally learned the secret to a long-lasting relationship: “You have to be comfortable with yourself first.”


Johnny’s fondness for these two famous painters points out the fact that there’s more to this guy than acting and rock ‘n’ roll. Johnny has a full appreciation of life, and that includes the arts.

An avid reader, Johnny’s ideal weekend would be to cozy up in his Vancouver, Canada home and devour novels by well-known authors. In between books, Johnny would treat himself to a few hours of video-watching—he’s known for renting stacks of tapes at a time!


This is how Johnny sums up the way in which a performer can, he feels, become too “commercial.” For instance, once someone’s name is well-known, that person might accept offers to appear in a lot of advertisements or even a quick, low-quality movie.

Johnny feels that these types of offers are similar to ”fast food”— the projects are made with little time and imagination, for a quick profit. And that’s not Johnny’s idea of playing fair! He would rather wait for some high-quality projects to come along, or to create his own, than take advantage of his fame just to make money.


With the success of 21 Jump Street, a show that deals with some of the very serious problems facing teens today, it’s not surprising that this guy who plays “Tommy Hanson” on the series would receive a variety of mail.

Though most of the letters Johnny receives are filled with kind and supporting words from fans, he still does receive some mail from people requesting his help. These letters are from teens who are feeling depressed, having problems with their families, school and/or their social lives. Johnny takes this mail very seriously.

“I try to write back and tell them to hang in there,” he says.


What?! Cut off those gorgeous brown locks that go so beautifully with those big brown eyes? Well, only if the role is right! You see, Johnny would like to expand his acting career to include all types of characters, and not just the traditional “leading man roles” that people tend to envision for this classically handsome fellow.

Taking on the challenge of unusual acting parts appeals to Mr. Depp, and that’s just what he plans to do—even if it means “going bald”

Paris Film Festival

I met Johnny on Sunday, April the 5th of 1998: he was there to give an award at the ending ceremony of the Paris film festival, where his friend Sean Penn was the President of the Jury. I was at this festival but people without invitation weren’t allowed to be present in the theater for the ending ceremony, so I decided to wait a moment behind the barrier to see some stars. And then, he arrived (with his director Roman Polanski). I was totally crazy because it wasn’t provided he would be there.

Briefly, he was exactly as Sam has written: very nice, generous and smiling with everybody (when the guy by my side gave to him a 1 dollar banknote to sign it, he said joking “am I worth only this price?”). He signed lots of autographs and allowed lots of pictures. And when a man who was with him told him he had to enter the theater, he wanted to stay longer to sign other autographs and take pictures with fans who were behind the other barrier. An angel!!! (Contrary to Sean Penn who hadn’t stopped when he had passed very quickly in front of fans, before Johnny). He was the star who stayed the longest time with fans, and when he was gone, everyone said he was great. Since this day, I love him still more. I took 2 photos of Johnny, but I didn’t talk to him because I was too impressed to tell him something interesting, I prefered to be quiet.

encounter from johnnydeppfan

Bop, April 1989 – What’s All This Talk About Johnny Depp?!

Title: What’s All This Talk About Johnny Depp?!

Publication: Bop

Issue: April 1989


Photo1When you’re John Christopher Depp II, you get used to being the prime subject of conversation.

Fortunately, Johnny (which he prefers to be called) doesn’t take himself too seriously. His attitude is that people are going to talk, so why not let them?

Since most of the chatter concerning this 25-year-old talent is positive, Johnny’s feelings are rarely hurt, nor, surprisingly enough, has he let any flattery go to his head. He simply takes it all in stride.

“Getting attention from the public is very nice, but it’s still a little strange, you know?” he ponders aloud with a clear gaze in his brown eyes that lets you know he is too strong to ever allow fame to affect his ego.

If there is any truth to the study of astrology, then it’s only natural that this Owensboro, Kentucky-native takes an easygoing stance on his celebrity status.

According to the stars, it is a characteristic of those born under the sign of Gemini, as Johnny was, (June 9, 1963 was the magical date) to be the most talked about and controversial folks in the entire zodiac!

Of course, Johnny didn’t exactly choose a career that’s custom-made for those who prefer to keep out of the public eye. As someone who’s dedicated to the field of entertain­ment, the son of John and Betty Sue Depp has shown that he’s quite willing to open his heart and soul to the people of the world.

The fact that his role as “Tommy Hanson” on 21 Jump Street has made him an instant role mode for teenagers, who gain insight into such issues as drug abuse, sex and moral responsibility when they watch the show, places him even further in the spotlight of public discussion.

Again, this attention has not made Johnny shy away. Rather, it makes him proud because he sees firsthand that he is making a difference, which, to him, is the entire purpose of being an actor.

“I’ve talked to teenagers who have told me a certain episode of Jump Street made them under­stand that their problems weren’t unsolvable. It’s great that we’ve been able to help them in that way,” smiles the 5’10” tall performer.

“Natural cool”

Part of what makes Johnny so charismatic and influential on the screen is that he has what some refer to as “natural cool.” In other words, he doesn’t try to be cool—he just is!

Many people work hard at creating an image by wearing only certain clothes, talking in a certain way and hanging out at all the right places. But Johnny doesn’t have the time to play this image game.

There are no trendy outfits in this unique guy’s wardrobe. He wears only what is comfortable. As a matter of fact, this lover of antiques admits that sometimes he looks a bit on the sloppy side! And yet, to others, Johnny always manages to look sharp!

When approached on the subject of image, modest-minded Johnny simply remarks, “1 don’t know what cool is. I just be myself.”

Johnny’s commitment to being an individual is something that comes through in his humor, and it’s also something that makes people eager to figure him out.

Though the usually serious subject matter handled on Jump Street rarely allows him to show off his comedic skills, those who know him well say that Johnny is a regular barrel of laughs that is if you can appreciate humor of a decidedly offbeat sort!

For instance, when asked what he would do if one day he woke up and his acting career was over, Johnny matter-of-factly replied that he would move to a faraway island and sell turtles for a living! You see, Johnny comes up with remarks that are so unusual, and even silly, that you just have to laugh.

But because his brand of humor is anything but typical, Johnny’s jokes often leave folks saying to themselves, “Is he kidding or could he possibly be serious?!”

Sight for sore eyes!

One characteristic about Johnny that is definitely not controversial, yet still has a lot of folks talking, is his gorgeous looks! There is no question about it—with his lean build, sensitive eyes, soft brown hair and well-chiseled features, Johnny is a pleasure to look at!

And although Johnny himself doesn’t make a big fuss over his looks, others do, especially those of the opposite sex!

With the popularity of 21 Jump Street, Johnny’s handsome face has become familiar to girls all over the world. But all this attention from the female of the species isn’t anything new to Mr. Depp.

It was back in the late 1970’s and early 1980’s when Johnny was a member of an aspiring band called The Kids that he received his first taste of sex symbol status.

Recalls Suszanne Witkin, the wife of one of Johnny’s former bandmates, “When you’re a member of a band, you naturally tend to attract a lot of attention from girls. But there were five guys in The Kids, and most of the girls liked Johnny the best.”

At first, being admired by the opposite sex made Johnny, who is shy by nature, a tad embarrassed. However, as time went on, this adaptable fella began to like all the positive female feedback!

To this day, Johnny takes his knack for attracting attention all in stride. He understands the need people have to know about one another. After all, he has a curious streak himself. And besides, he’s enough of an optimist to believe that folks will talk about the good rather than the bad!

Bop, February 1998 – Does Johnny Depp Alone Make 21 Jump Street A Success?

Title: Does Johnny Depp Alone Make 21 Jump Street A Success?

Publication: Bop

Issue: February 1998

Photo1During the 1987-88 season of 21 Jump Street, it could have been very easy to mistake Johnny Depp for the star of the show. It seemed like the gorgeous actor was featured in every single episode!

Things have changed in the “new and improved” 1988-89 season of the series! This year, it’s already apparent that the folks in charge of Jump Street want you to know all four main characters (as well as the new guest star) as real people. Not only are you seeing plenty of Johnny as “Tom Hanson,” but you’re also getting a chance to see more of Peter DeLuise (“Doug Penhall”), Dustin Nguyen (“Harry Ioki”) and Holly Robinson (“Judy Hoffs”), along with the show’s newest addition, Richard Grieco, who plays “Dennis Booker”!

But how do the sparkling personalities of 21 Jump Street fit together behind the scenes? You already know that they’re a distinctly diverse group as far as their hometowns and backgrounds go—so what is the glue that holds them together?

First of all, they get along great’. There’s not a trace of jealous rivalry amongst this bunch! There are, however, lots of good times! Johnny and Peter decided they would place pretty Holly to the fun-test when she initially arrived on the set by ambushing her with water guns! She has since armed herself with her own water pistol and keeps the two banditos at bay with her sharp eye and aim!

Even when they’re not up to their wet antics, this cast finds ways to enjoy one another’s company. Richard shares a love for motorcycles with Johnny—both guys are proud of their vintage bikes!

Twenty-four-year-old Holly, a native of Philadelphia, Pennsyl­vania, and Dustin, who hails from Saigon, Vietnam, have an especially close bond of friendship. As 26-year-old Dustin remarks fondly, “Holly’s my pig-out buddy!” The two are wild about Vietnamese and Chinese food and share a meal whenever they can!

Dustin goes on to reflect, “I have two people up here that I’m really, really close to—one is Holly. She’s almost like a sister to me.” And the other? It’s Dustin’s girlfriend in Vancouver, Canada!

Dustin and Peter also get along because, as Dustin reveals, “Peter is a great guy—his sense of humor just never stops!” In fact, it’s senses of humor that keep Dustin and Peter, as well as Johnny, Holly and Richard so close!

Keeping sane and happy!

This easygoing gang manages to keep each other sane and happy even though they spend months and months away from their homes. All of them moved to Vancouver in order to make the weekly series and they truly have become a second family to each other!

Moreover, these professionals all went through difficult periods during their childhoods. Johnny grew up in an anything-but-wealthy neighborhood in Miramar, Florida where he was faced with tough decisions about his future.

Some of the decisions he made were not popular ones, and even Johnny, who’s now 25 years old, admits they probably weren’t the best ones! For instance, this Kentucky-native dropped out of high school to pursue his career in rock ‘n’ roll, and at one time he experimented with drugs—all before he turned 18 years old.

But luckily for Johnny (and all his fans!), he was able to recover from these early mistakes and stick with his musical aspirations. He played guitar in several Florida bands before he moved to Los Angeles, California in 1983. And though he dreamed of a rock ‘n’ roll career, Johnny happily stumbled into acting instead.

Peter DeLuise’s tough times were completely different. Unlike Johnny, Peter didn’t grow up in a tough neighborhood. In fact, he had a comfortable background and the advantage of having a famous father, actor/comedian Dom DeLuise.Photo2

However, Peter did have to face several unpleasant situations. For example, even though he was the quarterback for his high school football team, he was looked down upon by other students because he wouldn’t do drugs! That’s right! The other kids thought his refusal to take drugs wasn’t cool. Then, after he graduated from school, his parents expected him to move out. “As soon as I got out of high school, I also had to leave the house. It was one of my father’s stipulations,” explains 21-year-old Peter.

Family flees!

Dustin’s childhood was a stressful one. Born in Vietnam, he was forced to flee his homeland with his family when he was only ten years old due to the conflict going on in that country. Before he left Vietnam, he witnessed the shooting and killing of his best friend on the beaches near the city of Saigon. An episode of 21 Jump Street last season dealt with Dustin’s experiences, and this show received a special award for its historical portrayal of the conflict.

Dustin acknowledges that making that episode was particularly trying. “It wasn’t like just acting anymore. A lot of emotions started coming back,” he recalls.

Holly, on the other hand, grew up in a seemingly fairy tale-like environment. You see, her mom was (and still is) a manager for actors and actresses, and her dad played “Gordon” on the early Sesame Street show! For a four-year-old Holly, though, life was a little confusing because it was sometimes difficult for her to distinguish between her father’s TV role and his real-life role as her daddy.

Holly confesses, “Any psychologi­cal problems I have, I blame on Sesame Street1.” But during this confusing period in her life, Holly experienced her first taste of acting on that show, and she’s still going strong in the profession!

Richard, who is from Watertown, New York, faced problems of his own. Back in high school, this handsome 23-year-old seemed to spend an awful lot of time in the principal’s office! Recalls Richard, “I always got good grades, but I was a bad student because I rebelled against rules and regulations!” Luckily, his skills as a football player earned him a scholarship to college, where he studied political science and then moved on to acting and modeling.

A unique bunch!

Perhaps what keeps this crew together is that each of the co-stars comes from a different background and has faced a unique challenge. As a result, they allow themselves to be the individuals they are!

Keep your eyes peeled for the plot lines to change even further on in the year. Dustin explains, “I’m really excited about this season because the writers and everybody have put a lot of work into it! We’re going to be able to tackle more controversial issues this season and not have to hold back as much as we have in the past.”

Teen Machine, 1998 – Everything You Wanted to Know

Title: Everything You Wanted to Know

Publication: Teen Machine

Issue: 1998


Photo1Dark-eyed Johnny Depp might view himself as one of television’s most reluctant sex symbols, but everytime he appears on the screen, the hearts of viewers can’t help but hop to 21 Jump Street.

When Johnny was growing up in Miramar, Florida, the last destination he envisioned for himself was on a television show At that time, all he wanted to do was play in a rock and roll band. He recalls: “People would remember me as the kid with the long hair who was always playing guitar. I used to bring my guitar to school, skip certain classes and sneak into the guitar class. That’s pretty much how I spent my high school years.”

He finally become a player in a band called the Kids, and they headed out to Hollywood in the hopes of landing a record deal. Once when they were playing a gig at one of the clubs on Sunset Strip, Johnny met and befriended Moonstruck star Nicolas Cage. Johnny’s cash flow of the time was very low, so when Nicholas offered to introduce Johnny to his agent, Johnny complied. He explains: “She sent me out on an audition. The director gave me a script and told me to study it; I did, came bock two days later, read for the part and they gave it to me. That was my first film—Nightmare on Elm Street.”

Johnny very quickly learned the difference between playing in a band and acting. Ho discovered that as part of a band, he had three other people working and pulling with him. But with acting, he says: “I found it was just me. It all depended on me I had to make my own choices”

He wasn’t too thrilled, to say the least, by his second choice of acting jobs in what he describes as a terrible sex-ploitation film called Private Resort. He admits: “I figured at least I was earning my living by acting and that beat working at Burger King. And I got paid for learning.”

Johnny’s turning point as an actor came when he co-starred in the Oscar-winning film Platoon.

Although a lot of his work ended up on the floor of the editing room, he claims it was one of the best experiences he ever had. The experience was so intense that when Johnny returned to Los Angeles, he needed some time to chill out and began playing rock and roll again.

Six months later Johnny landed the plum port of Tom Hanson, the baby-faced rookie cop on the Fox television series 21 Jump Street. And the rest, Johnny believes, is a mystery.

It’s not that Johnny doesn’t appreciate all of the adoration and fan mail; it makes him happy. Yet the guy is basically shy and unused to being the center of attention. He claims he is claustrophobic and gets a little nervous when he’s in the middle of a crowd scene. He says: “If people recognize you, it’s no big deal. They just say, ‘Are you him?’ And you say, “Yes I am,’ and then you talk and you sign something. Nobody’s out to hurt you. They just want to see what you’re all about.”

Johnny’s most difficult task has been protecting his private life. Since he has become of one America’s heartthrobs, everyone and her sister is dying for details of his own heart’s inner workings. For three years, magazines and gossip sheets were charting the see-saw relationship Johnny had with actress Sherilyn Fenn. Yes, they were engaged; no they’ve split up; yes, they are definitely engaged. Johnny shudders at the thought of making any of this information more public than it already is; in fact, his manager always reminds interviewers that Johnny’s personal love life is off-limits.Photo2

Johnny doesn’t take this viewpoint just for the sake of being uppity. He believes: “You gotta do that with your relationships, with the things that are precious to you. You take them and keep them in a place where no one can touch them. Keep things private. You want to keep your personal life personal and your business life business.” Try as be might to keep his love life out of the limelight, tongues ore wagging about Johnny and his new gal pal. It seems that shortly after Johnny and Sherilyn broke it off for good, he met Dirty Dancing star Jennifer Grey. Friends of the duo are saying that during the vacation trip they took to Mexico, they discussed the possibility of a very private wedding ceremony.

Naturally neither of the hot stars are talking.

Right now, Johnny mostly likes talking about the tough social issues that 21 Jump Street are taking head on. The show has dealt openly with the seriousness of suicide, drugs. AIDS and child abuse. And Johnny is delighted with his character’s sense of truth. He says solemnly: “There’s the potential there to help somebody. Whatever I’m doing must possess a sense of truth Otherwise it won’t work—it’s just a lie.”

Tommy Hanson, the rookie undercover cop on 21 Jump Street is the ultimate in casual cool And the real lite Johnny isn’t any different As far as his own wardrobe is concerned. Johnny likes to keep it as simple as possible Just give him some jeans, a flannel shirt and some black motorcycle boots and he feels comfortable.


Film Review, June 1997 – Depp Undercover

Title: Depp Undercover

Publication: Film Review

Issue: June 1997

Photo1DON’T EXPECT Donnie Brasco to have any of the inno­cent charm of Edward Scissorhands or the kitsch sensi­bility of Ed Wood – Johnny Depp’s latest film is as far removed from these as is possible. The 33-year-old actor stars as Joe Pistone in the almost unbelievable true tale of an FBI agent who manages to infiltrate a Mafia ring for six years in the 1970s. Starring with Al Pacino – who plays Joe’s mentor and guide through the Mafia world, Lefty Ruggiero – Depp is astonishing as the FBI agent whose double life threatens to tear him apart. And while Depp isn’t exactly renowned for being typecast, if he were to find himself a comfortable niche in other films that are as unflinch­ing and graphic as Donnie Brasco, the likes of Brad Pitt would be looking over their shoulders.

The Mafia men in Donnie Brasco are not the sort that a mother-in-law would welcome with open arms. They can appear to be friendly enough but running through them is a streak of vicious ruthlessness. In their world it’s often kill or be killed. Amazingly, Depp managed to meet Mafia men before shooting the film.

“Yeah, well, we spent some time with some guys,” he says almost nonchalantly. “You know, all I can say really is that it’s not exactly what we’ve come to know in the movies – that sort of wise-guy persona. I found the majority of them to be good guys – real gentlemen, family men, good fathers, good husbands. I had the utmost respect for the guys that I met.”

Not exactly the response that you would expect from someone meeting the Mafia. We’ve all seen The Godfather!

Depp continues. “I never asked them about their business and they never volunteered any information. I wouldn’t really have been ready to receive that! I just got to know them and found them to be very, very good guys.” He pauses for a moment. “What they do for a living is a mystery to me. Again, I don’t believe it’s exactly what they portray in the majority of the movies. I think it’s closer to what happens in Donnie Brasco.”

It’s true that you don’t find a horse’s head in anyone’s bed but if the film is even remotely true to life, the Mafia men that Joe Pistone met were cold killers.

“ I don’t think they’re serial killers,” says Depp of those he met. ‘There’s a circle in which they live, and within that circle there’s a game of survival. You know, you can tag this to anyone who has a pulse: ‘If it’s him or me, he’s going down’. I mean, I can’t be more plain than that. That’s just the way it is. If somebody’s going to get you, you’re going to try and get them first.”

The fact that Depp sounds like he understands these people does not mean that he condones their way of life. The film made him very aware that his life as an actor is far removed from their terrible reality, and he never found any similarities between the life of an undercover agent who has to be somebody else and his life as an actor.

“It’s different. I can always back up and do a second take. Joe didn’t have that advantage. I think what got him through is that he didn’t portray a character. He didn’t pretend to be anything else. Obviously he didn’t run into the room screaming that he was an FBI agent. He was himself with those guys. I think the pressure of having to go and pretend to be somebody or play a character would’ve probably sunk him.”

Indeed, the fact that Pistone could be revealed at any time in the film as an imposter frazzles the nerves of the viewer, never mind what Pistone went through in real life to break the Mafia ring. It comes as no surprise that Depp wanted to lighten the atmosphere during filming.Photo2A

“Al [Pacino] and I were experimenting with some…” he pauses, then laughs, “…noises. It’s important on a movie set, you know, to have a good time. I had this little device that sends out a noise that could make you think that the guy sitting next to you was, er…very ill.”

He admits that playing the same trick on Pacino, an actor who never gets anything less than the utmost respect from his co-stars, was a little risky. “There was always that chance,” he laughs. “I had a sneaking suspicion that he had a sense of humour. And I was right. He’s really one of the funniest guys I’ve ever worked with.”

That wasn’t quite the same experience he had with the director, Mike Newell, who didn’t always appreciate Depp’s attempts to lighten the mood.

“Mike got a little hot under the collar now and again. He was like [affects a deep, booming voice!, ‘Oh my God, Johnny! Stop!’ He got a little sick of it. It actually made me want to do it more – and then he laughed and lightened up.”

For all his attempts to make people smile, Depp acknowledges that playing Joe was difficult.

“The most challenging [aspect] was to play Joe Pistone in such a way that he would be able to live with it for the rest of his life. This is a guy who lived through something unbelievable for six years. And for some actor to come in and sort of make-believe and pretend… I felt a huge responsibility to him and to his family to do it right and to make him proud; so that it was something he wouldn’t be embarrassed by.”

It has been reported that Pistone himself felt a sense of deja vu watching Depp play his life on the big screen, especially in the scenes with Depp and Pacino together. Depp is superb as Pistone and, rat her humbly, he is a little wary of admitting that he managed to capture the real Joe Pistone.

“I can’t say for sure. He would be the best judge of that. I feel like I did. I spent a lot of time with him beforehand. I really put myself as far into this character as I could. I certainly did my best. I hope [Joel is happy. He hasn’t punched me yet, which is a good sign!”

If what Depp says is true, there is some similarity between Joe Pistone’s attitude as an FBI undercover agent and his own movie career: they were both themselves and weren’t interested in creating an image.

“It’s what I’ve tried to do,” confirms Depp. “Just be myself and not manufacture some formula that’s worked before. I just want to be myself and allow that to get out there. I don’t know if it’s successful. Who knows? I’ve read a couple of things and it’s so far from me”.

Depp appears resigned to his treatment at the hands of the media, but it doesn’t mean he has to like it.

“The biggest misconception is that I’m, you know, a whisky-guzzling, drug-taking, drug-addled menace. I’m just not any of those things. There were incidents in my life that have become public knowledge. The media have taken those little things, grabbed the ball and run with it. It’s a drag, but it’s something you’ve just got to carry around with you.”

While he might laugh at being nominated one of the 50 most beautiful people in the world, Depp views the way in which the media can completely fabricate a person’s life with weariness. He doesn’t want it but can’t do much about it. The hassle comes with the job.

Being famous can be a liability, but one of Depp’s biggest assets is that he refuses to be typecast. He’s no Schwarzenegger or Stallone who, try as they might, cannot fight their way out of the mould Hollywood has made for them. He recognizes that when he first appeared he was pigeonholed (“They do that with everybody, everybody”) but the films he has made and what he has learned ensures that he won’t be following in Arnie’s and Sly’s footsteps.

Photo3“The only time I tried to promote something was when Fox [US| was building its network and they needed to build it on someone or something,” he recalls. “Suddenly I was watching television and I would see these commercials. They weren’t commercials for 21 Jump Street! the series which launched Johnny to television fame, they were commercials for Johnny Depp. That really scared me, really scared me. I had gone from not being able to pay my rent and being completely anonymous to suddenly walking down the street and people were pointing and looking and all that stuff. It was a very strange time for me. So the only thing I did was to try and fight that. I just wanted to show myself-and that can be a problem. I was very naive.”

But who doesn’t know Johnny Depp now? After over a decade of making films and being a big box-office draw, hasn’t he become used to being recognized and pointed at?

“It will always be strange. On some level, I hope it is always strange. I hope I don’t get used to it, because that would be a very strange existence.”

Moving on, Depp has high hopes for his next project, The Brave.

“I wrote it with my brother and decided to direct it and be in it. I’ve been cutting for a few months and getting very close to that final edit and to doing the score and all that stuff.” Depp hopes to have the film ready for entry into this year’s Cannes Film Festival. At the time of writing there’s still no confirmation if it will premiere there, but he’s keeping his fingers crossed.

Like almost every movie he’s done. The Brave is very different from the one before, and it’s certainly going to be controversial as its subject matter involves ‘snuff movies’. Despite the fact that the media have picked upon this, Depp insists it isn’t the film’s focus.

“It was never meant, at least from my point of view, to be a shocker or something that had horrible violence in it. That was just part of the structure of the story. I really believe in it. I’m very proud of it so far.”

Depp stars (with good friend Marlon Brando) as a man whose family are given money in return for Depp sacrificing his life in the snuff film.

“Marlon did his time in the film as an incredible gesture of generosity,” Depp says happily. “He’s been very, very supportive

of me over the last few years and it’s more than a dream come true.”

Johnny Depp, true to form, isn’t worried that people will be put off by the film’s disturbing subject matter.

“It’s not very graphic at all. What I try to do is leave a lot to the imagination. This is just an opinion, it’s not a judgment on anything, but the majority of films made today are made within a certain structure and a formula that has worked before. I don’t think they leave enough for the audience-to think about. I think the audience is intelligent, but most films don’t allow them to be.”


Background: Summer-Fall 1995 I went to the Viper Room a few times, the energy was amazing! I went on December 31st. Sandra Bernhardt was performing, which was terrific.

Suddenly, I turned-around and I saw Kate Moss sitting on the back of the booth near the bathrooms, and I said to myself “He’s gotta be here!” I looked down from Kate, and there he was, sitting in the booth drinking wine. Hair hanging in his face, being kind of sullen.

Edward Scissorhands and What’s Eating Gilbert Grape have touched me deeply. I so wanted to tell him, but there was no getting near him with all the bodyguards. Flea showed-up. It was quite the scene.

Nevertheless, the crowd (and bodyguards) became casual by 2AM, when I was coming out of the men’s room, and there he was, standing right next to me: tee shirt and cords, very Johnny. I lingered for a moment, as he was talking with someone. I considered approaching him, but didn’t want to be rude by butting- in.

Suddenly, he headed-off down those stairs, into the night. Maybe some other time!


UK Film Review June 1995

Look back in Angora

PICTURE THE SCENE, if you will. In one of the scummiest parts of West Los Angeles, Johnny Depp is being put through his acting paces by director Tim Burton. The air is as thick and grimy as an unserviced U-bend. The ambience as comforting as a shower of warm sweat. As the cameras grind slowly into motion, Depp steps out into the light… wearing high heels, black nylons, a blue dress, a beige corset, a pink blouse and red lipstick. 

“It’s strange, but it really doesn’t feel so bad,” Depp says about his stint in the frillies. Will his reputation ever be fully restored in the town of Tinsel? 

The actor is playing Edward D Wood, arguably the worst director in the history of Hollywood, who lived and worked during the ’40s and ’50s. Wood directed Z-grade features such as Plan 9 from Outer Space, Bride of the Monster and Glen or Glenda, a movie which became a bizarre plea for understanding of his own penchant for cross-dressing. 

The role is a bold move for the former teen idol who kicked started his career in the TV series 21 Jump Street, moved on to the silver screen with the original Nightmare on Elm Street movie, and gained celebrity status as the lead in John Waters’s outrageous spoof Cry Baby. However, a shrewd Depp nevertheless expanded artistically in a number of wayward character roles in offbeat movies; the fairy tale fantasy Edward Scissorhands, the romantic drama Benny and [oon, and the rural rites-of-passage piece What’s Eating Gilbert Grape. 

Each role has revealed much more of a depth in Depp than you would have expected from an actor of his calibre. He has been attached to a number of worthy future projects including a powerful drama called It Only Rains At Night and an untitled new movie from Jim Jaramush. 

So what was the attraction – if that is the right word – of playing Edward D Wood? 

“Essentially, you really can’t refuse anything that Tim [Burton] asks you to do,” Depp explains. “You know he has a solid belief in you, and even if you do have any reservations about the part, he will talk you through them. Sure, it’s a kinda weird role for me, but would you expect anything else from Tim? 

“There was such a great ensemble of people working on the movie, too. I’ve turned parts down and regretted them in the future, and I think I would have been sick as a dog if I’d walked away from this one, I don’t think I’ve worked on anything where everyone was so close-knit.” 

The twisted family of performers who bring Ed Wood to life are as outrageous as the story itself. Martin Landau plays Bela Lugosi, the morphine-addicted Horror star regarded by most as being well past his sellby date. Bill Murray is outrageous supporting actor John ‘Bunny’ Breckinridge, who was a reputed transsexual wannabe. Model Lisa Marie is Vampira, the late night Horror show hostess who had a seventeen-inch waist, 50s-style ‘headline’, and skin that can be described as dead. Sarah Jessica Parker is Wood’s girlfriend Dolores Fuller, and Patricia Arquette is his wife Kathy. 

“It was a very vibrant shoot,” Depp recalls. “I mean, it was really tough. We were filming in some of the most claustrophobic, badly ventilated, most uncomfortable locations in Hollywood. My adrenalin was pumping all the way, but everyone from the ground up was giving the movie 200 per cent. I think it has to be most ensemble picture I’ve made.” 

Then, of course, there was the matter of the frilly underwear. Weird, huh? 

“Actually, it didn’t feel weird at all,” the actor admits. “In fact, it’s spookily comfortable. The only time it felt weird was when I had to do a striptease. But I didn’t have any fear about what the audience would think. I know they’ll have a good time with the stacle was one he had created himself. Burton wanted to shoot the movie in black and white, and original backers Columbia didn’t see eye to eye on the matter. 

“I think it was apt thai we shoot the movie in black and white,” Burton maintains. “I resisted the idea at first, but the more I thought about it, I knew that the characters wouldn’t work in colour. It is a period film. I think that pari of the Fifties’ should be remembered in black and white. 

“I didn’t really want to compromise with the movie. I believed that if I compromised in any way, then we would dilute the original idea, and I didn’t want to do that, lowed that to everyone involved, and to the original spirit of Ed Wood.” 

The project was eventually snapped up by Disney, who allowed Burton to have a free rein. 

A noted perfectionist who never appears to be fully satisfied with his finished work, Burton admits the movie is one of his most accomplished projects. 

“You shouldn’t gel too dose to films, especially after they are in the can. But I guess that Ed Wood is the closest thing I’ve made, which has a connection between my childhood and my morematureartisticside. For me, that is a huge accomplishment and one I’d be happy to rest on.” 

 Patricia Arquette is most certainly  at odds with many of the characters she has played on film: notably as the provocative, day-glo-outfitted Alabama in the Tarantino-scripted True Romance and as the heavy-drinking wife of a Hollywood transsexual in Tim Burian’s latest film, Ed Wood. This slightly outrageous style of screen personality is pretty much at variance with the true nature of the twenty-six-yearold actress – and that is very, very shy. 

“How I got into acting I’ll never know,” admits Patricia. “I was always so reserved. I wasn’t an exhibitionist of any sort and friends from my childhood really can’t believe I played some of these roles.” 

Her father is an actor, and so.of course, is her big sister (Rosanna) and lillie brother (Alexis). All have a reputation in the business for being a little … well, quirky. 

Patricia admits she could be the black sheep, but something in the Arquette gene pool may be responsible for attracting the middle sibling to some of Hollywood’s more bizarre projects lately. 

“I do have a strange sense of humour. I think I share that with my family,” says the actress. “Before I started True Romance, a journalist read me the namesof my co-stars: 

Christian Slater, Brad Pitt, Cary Oldman, Dennis Hopper, Christopher Walken .. 

“He said it was a cross-section of Hollywood’s brilliant crazies, and asked where I fitted in. I just laughed. Maybe they need someone a little more composed to balance out the picture. 1 don’t know. I still find it is funny that journalists think I’m really a little loopy.” 

Like her Ed Wood co-star, Johnny Depp, Patricia made her Hollywood splash in a Freddy Kreuger slice ‘n’ dicer. Depp in the originalNightmare on Elm Street; Arquette as the resourceful heroine who dispatched the dream bogeyman in Part III. 

She played a couple of wayward roles in Sam Shepherd’s Far North and Sean Penn’s The Indian Runner, before bouncing to the attention ofTim Burton for his bioplc of the bizarre cross-dressing director. 

“l’m always surprised where I go after each movie,” says Patricia. “I’m not confident or organized enough to map out any career yet. Things just come and I make a choice then. But I don’t think to myself: ‘Oh, this is weird. I’ll give this a shot’. 

“But I have such a strange sense of humour that I am usually drawn to stories which are more unconventional than other. With Ed Wood it was simply too good an opportunity to miss. Tim is a great director and I was anxious to do something with him.” 

Patricia plays Wood’s second wife, Kathy O’Hara, who nurtured the frustrated filmmaker through the worst part of his strained career. The challenge facing the young actress was to convey a sense of normality in what was a bizarre real-life relationship. Patricia didn’t do much research into the life of Kathy O’Hara. 

“Apparently she was a heavy drinker and very judgmental about his past relationships,” she explains. “She’d set out matching night-gowns for them every night. 

“Tim didn’t want to trivialize this fact. He also wanted to do it straight, which I can understand and admire. I was encouraged to read up on the life of Edward 0 Wood, but during filming I really st~ck to the script and my own interpretatrbn.” 

Like most of the cast and crew Patricia was overwhelmed by the confidence and performance of Depp in the role. 

“He was amazing,” she exclaims. “Absolutely amazing. The stuff where he had to wear the woman’s clothing was inspired. He was a natural. I would give him tips on undressing, particularly with the bra strap.

He was very strict who he undressed in front of. “I think he energized everyone on the set. He was as much a guiding force on the movie as Tim [Burton]. We had these very intimate scenes together, and he would get right into the part and stay there for hours. 

 I’m not that disciplined. I still have fits of laughter during a scene. But Johnny could do it straight.” 

If anything, Patricia has learned that she may have been more at home in an Edward D Wood movie than she would have expected. “I’m told that Wood liked to nurture women, specially those who didn’t have as much confidence. He adored actresses. Ithink headored bad actresses more. But he thrived on anyone who had determination and wanted 10 fulfil a dream. They reckon he wasn’t talented, but I think he was an individual who was determined to fulfil his own dream.” 

The same notion could also ring true for Patricia, who, in some respects, may now be outshining her more famous sister. 

As a young mother (her baby, Enzo, is almost three years old), “struggling to learn her craft and make a living in Hollywood”, as she describes it, Patricia might still have front of. “It’s strange,” she sighs, returning to the original question about her being misunderstood in public profile. “Most people pitch me somewhere between my big sister and Alabama. I’m certainly the most intraverted of my entire family, and still have to pinch myself to make sure that I’m not dreaming. But what I haven’t got used to yet is that look of surprise in everyone’s eye, after they have been talking to me for more than five minutes, and the phrase: ‘Gosh … you are quite normal, aren’t you?” 

Will the Real Dolores Stand Up? 

DOLORES FULLER met Ed Wood at a casting call. An actress with big dreams, she fell for the man who vowed to make her a star. 

“He was the most unusual producer I had ever met,” she tells Flint Revie’w. “They were usually very old and smoked cigars all the time, but here was a young, creative, handsome man with an effervescent personality. Eddie believed in what he was doing, and he made everyone else believe it 100.” 

Soul mates from the start, Ed and Dolores shacked up together. She was his leading lady. He was her director. She cleaned up his act. He cleaned up her wardrobe. 

“He tried to hide his cross-dressing from me for about a year or so,” remembers Dolores. “I’d been a health nut all my life, I cooked him meals every night and tried to keep him from drinking, and I guess it wasn’t easy for him to admit something so unusual to me.” 

But admit it he did, and life went 0n .. 

“He only wore my angora sweater while he was working late at night. It was cool and he wanted to feel cosy – he said it turned him on and helped him to write. I didn’t mind it though, I felt he only wanted to do it in the privacy of our own home, and that nobody would ever know about it,” the irony stops Fuller dead in her tracks, “And then that picture came out … ” 

That picture.written and directed in about a week and a half, turned out to be Glen or Glenda, Ed Wood’s semi-autobiographical tale of love and transvestitism, co-starring the writer/director as Glen (and Glenda)and the writer/director’s girlfriend as his fiancee. 

“I didn’t want him to use our life and put it in front of the camera,” explains Dolores. “I was very, very uncomfortable about that and I begged him not to use me, but he said that nobody would ever see it, that it would only play in way out markets, and then he said, ‘Please do this for me, because then I will get a writer/director credit, and we can go on to better things, and make much better movies.” 

The gift of hindsight informs us that Ed Wood never did cross paths with those better things, but what did Dolores know? She stuck by her man, and that was that. 

“But I still didn’t like doing it, and he didn’t let me on the set when he was doing the cross-dressing. In fact, I didn’t really know about all thai until I saw the picture. I had never seen him in a wig or dress before, only the angora sweater.” 

The revelatory first screening of Glen or Glenda (available on video from May 15 as part of the Ed Wood collection from Pickwick Video) surprised just about everyone, but even though Dolores admits that at the time she felt like “crawling under the seat”, she stayed with Wood long enough to make the likes of Jail Bail before finally running away to New York to study acting and write songs for Elvis (remember Rock-a-Hula Bnby and Do the Clam?) 

Yet she never forgot Ed (she just never spoke to him again). 

“His dreams were my dreams, but they weren’t high enough quality to suit me .. at least he had ideas in his pictures.” 

Marshall Julius 




Stars: Johnny Depp, Martin Landau, Sarah Jessica Parker, Patricia Arquette, Jeffrey Jones, Bill Murray Director: Tim Burton 

Certificate: 15 

Running Time: 2 hrs l mins Opening Date: May 26 

The story of the worst film-maker in Hollywood history. 

It is something of an irony that generations of cinema-goers will henceforth associate the works of Edward D Wood Jnr – the man responsible for the cross-dressing ‘classic’ Glen or Glenda, and the execrable Plan 9 From Outer Space – with this very enjoyable movie. And Tim Burton’s affectionate bio-pic is certainly that, not only for the technical proficiency that contrasts with Wood’s own amateurism, but for the superb casting and wonderful ensemble playing. 

In reality Wood (wonderfully played by Johnny Depp) was a decorated war hero, who landed on the Pacific beaches in 1941 as America fought Japan in the East, and unbeknownst to his comrades wore a frilly bra and panties under his uniform – a fetish that was to inform his artistic vision in the years to come. 

Driven by a reckless optimism and a belief that a good movie was anyone that got made, Ed surrounded himself with a stalwart repertory company of similar Tinseltown misfits – Bela Lugosi among them – and raised his finance privately. With disastrously memorable results. 

If audiences come to this film knowing little or nothing about Ed Wood to begin with they may balk at the awfulness of his work and the extreme oddness of his friends and co-stars. Yet Tim Button has done the writerdirector proud by making this most eccentric of men both likeable and believable 

Choosing to shoot the film in black and white and recreating the kind of cheesey score that Ed would probably have liked to use himself, Burton introduces us to the array of wel1- played oddball characters. Bu t Depp’ s wonderfully upbeat performance holds the movie together. The casting of Ed Wood was obviously crucial but it is hard to imagine any other actor of Depp’s generation being able to wear an Angora sweater with such authority. He manages to be comic without being outwardly funny, and is immensely charming in the role. 

Martin Landau – a deserving winner of the Best Supporting Actor Oscar for his performance as Bela Lugosi – is also quite wonderful. He becomes the ageing Hungarian actor before our very eyes, and soon forms a tight bond with his adoring director. And all the while a voice in your head reminds you that however outlandish the screen antics might seem, the reality was far more odd, far more unbelievable and probably far less entertaining. 

Without seeming to have taken too many liberties with the facts Burton and his screenwriters, Scott Alexander and Larry Karaszewski, who might now be forgiven for the Problem Child movies, have woven a charming tale around the strangest of Hollywood characters. Which is rather like describing Wood as the tallest player on a basketball team. 

Amusing, sometimes poignant and always totally absorbing.Ed Wood may show that Ed himself was no great shakes as a movie-maker but it proves once and for all the consummate talent that Tim Burton has become. 

Anwar Brett